In Dreams (2017-)
Exploring the collision of real and familiar spaces, places, and objects with those of the unreal as observed in day/night dreams
O.L.L.A., 2017, 30" x 30" x 4.25", Acrylic, Enamel, and Flashe on Layered Multidimensional Panels
Palette Cleanser (2017-)
Repainted collages of select ghouls and goblins discovered lurking in my paint palette at the completion of other paintings.
Architectural renderings of escape routes created to manifest positive changes in living environments
Delenticulated Portraits: (2016-)
2-dimensional rearticulations of my 3-dimensional lenticular portraits (see below); experiments in trapping kinetic energy and multidimensional form.
LPs: Lenticular Portraits (2014-)
Kinetic 3-dimensional portraits of individuals based on the patterns of their LP collections and the sonic energy and guidance of the music contained within.
Ghosted (2015- )
Weird shit sometimes happens just in the corner of my periphery, just for a moment...and then I document it.
factory made (2014)
For the Factory Made series, I hand-cut paper stock from independently-owned, family-run French Paper Company to create vibrant, abstracted scenes of the very factory where the paper is produced. The series provides a glimpse into the operations of the 140-year-old American paper mill by showcasing the production process and machinery—from pulp to the final paper product—in intricately layered collage format.
The subject matter is of particular resonance to me, growing up within a mile of the factory, and investigating it as a means to reconnecting with my hometown of Niles, Michigan following the death of my mother in 2012. I found artistic inspiration in the factory and its paper—providing a departure from my previous works in acrylic paint. The resulting series celebrates small manufacturing and a geographical sense of home.
In 2015, the Krasl Art Center of St. Joseph, MI commissioned a time-based media piece to accompany the cut-paper works for my solo exhibition of Factory Made (Jan 29- April 24, 2016). The video is an animated reinterpretation of the cut-paper pieces from my Factory Made series w/ accompanying sound collage--creating a virtual, voyeuristic tour of the factory and the processes from which the paper is made.
Special thanks to The Krasl Art Center, Jason Forrest Hogg, Jonathan Rauberts, Jerry & Brian French/French Paper Company for crucial support and technical assistance in helping to see this project to completion.
For best audio results, please listen through headphones/soundsystem to feel the lower frequencies and the rumble. And for best video results- project HUGE onto French Smart White paper.
FACTORY MADE PRESS
pattern recognition (2014-)
Ink on paper experiments with colliding colors, patterns, depth and hidden narritives within domestic living spaces
analog gifs (2013- )
Inspired by crude flip books I drew in the back of my school bus and magic of lenticular images that I discovered through Sportsflics baseball cards and Crackerjack prizes as a child, this series is sculptural and animated—“analog gifs” of sorts. This work provides an interactive experience for the viewer as the compositions shift with movement as the viewer’s perspective shifts—a tool that I use as a means to relay dynamic motion and the passing of time.
collaborative culture (2012-13)
collaborative culture is a portrait project highlighting the significance of collaborative roles necessary to create, support, and sustain the arts. The selected subjects all contribute unique talents and expertise in their fields and embody the spirit of this project.
In preparation for each portrait in this series, I required subjects to reveal obsessions, muses, and secrets through a mandatory questionnaire, which I then used to build preliminary compositional concept sketches with embedded personal symbolism. I collaborated with a photographer and each subject, to co-art direct a “film set” to shoot reference photographs for the final painted portrait. Throughout the painting process, I listened only to the subject's favorite music—an experience that brought me closer to the subject, and in a sense allowed the subject’s hand to help guide, subconsciously, each brush stroke and pigment selection.
This series was presented at the Brooklyn Academy of Music's (BAM) Diker Gallery Feb-March 2013. 20% of every sold piece was donated to BAMart and Pratt Institute endowed scholarship funds.
wild kingdom (2012)
Animals have never been impressed with my want to be smart, to be successful, to be respected, or to be loved. Their love is seemingly unconditional—they are not impressed with narcissistic pursuits. In many ways they succeed where human’s stumble. Painted at a time when I needed to take a break from media.
the world’s smallest paintings of the world’s largest things (2012-13)
Since the age of 6, I have been fascinated by the Guinness Book of World Records, obsessively leafing through and scanning over every page, learning every fact, and memorizing every otherworldly image. My continued fascination with these larger than life record holders and my interest in making the biggest impact with very small canvases served as inspirations for this series. And until someone dares challenge me, these are currently the world’s smallest paintings of the world’s largest things.
I was only able to secure the collaborative support of 2 record holders that I reached out to…thus, this is now the World's Smallest Series of the World's Smallest Paintings of the World's Largest Things
Piece #2 is currently available through Calico Brooklyn
Foreign Objects (2011-12)
Old Friends with new family.
good times (2011-12)
Fleeting moments de-fleeted
All images © Michael Hambouz 2018